Limited Edition 80 Pieces per Release Worldwide Shipping from Fukuoka
Hand-poured Sculptural Candles

TOKIAYA Pigments of Passing Time.

刻 の 彩

Each candle catches a single moment —
the bloom of evening, the green of a returning spring,
a sky still deciding which color to be.

TOKIAYA candle pair

Hand-poured

Seven layered pours, all by hand, never molded twice.

One-of-One

Each piece is signed and numbered — no duplicates ever made.

Slow Burn

40 to 85 hours per candle — made for many quiet evenings.

Worldwide

Shipped from Fukuoka in undyed linen, with care.

Time has a color.
We catch it once, in seven layers of wax,
and let it stay in your room
for many quiet evenings.

— TOKIAYA Manifesto, Vol. I
Ⅰ — The Collection

Four moments,
frozen in wax.

四 つ の 刻

A limited edition of pillar candles, each cast by hand from layered pigmented wax. No two pieces share the same gradient — every flame is its own moment in time.

N° I Kajitsu candle
SUMMER NOON

KAJITSU火 実

Mango flesh dissolving into a moss bed — summer-bright and dense.

¥ 3,200 Ø 7 × H 13 · 40h
N° II Bara-en candle
EVENING BLOOM

BARA-EN薔 薇 焔

Magenta dusk pressing down on a cool spring meadow — slow-burning, almost architectural.

¥ 6,800 Ø 7 × H 22 · 85h
N° III Tsubomi candle
SPRING MORNING

TSUBOMI

Pale ivory scattered with rose petals and moss — the bud, before the bloom.

¥ 3,000 Ø 6 × H 13 · 38h
N° IV Akatsuki candle
FIRST HORIZON

AKATSUKI

Amber soil, a green thicket, a sky between night and morning — a landscape in wax.

¥ 7,200 Ø 7 × H 22 · 80h
Story image
Ⅱ — The Story

Made by hand.
Born of a moment.

刻 の 由 来

In Japanese, 刻 (toki) is the small unit of passing time — a moment, an hour, a season. 彩 (iro) is its color: the bloom of evening, the green of a returning spring, the magenta of a sky still deciding which way to fall.

TOKIAYA was born from one question: can a color hold a moment? Each candle is layered in seven separate pours by hand, with vegetable wax and mineral pigments. Every pour happens at a different temperature, at a different stage of cooling — building gradients that cannot be reproduced and never quite the same way twice.

The result is closer to a small painting than a candle. A moment you keep indoors, then slowly, over many quiet evenings, return to the air.

— TOKIAYA Studio · Fukuoka, Est. MMXXIV
Ⅲ — The Process

Seven pours. One moment.

七 度 の 注 ぎ
I

Pigment顔 料

Mineral pigments hand-ground and warmed to wax temperature, never above 70 °C.

II

Layered Pour重 ね 注 ぎ

Seven distinct pours, each at a different cooling stage — building gradients that cannot be faked.

III

Cold Set静 養

Slow cure over three days — air, temperature, and humidity all leave their trace.

IV

Hand Finish手 仕 上 げ

Demolded, hand-sanded, signed at the base, and certified one-of-one.

Ⅳ — Living With It

A presence,
before a flame.

暮 ら し に

Most clients keep the wick unlit for the first season — the candle works as a sculpture first. When you finally light it, the surface begins to soften and the buried colors reveal themselves like a slow dusk.

Living scene

The Quiet Room

On a low oak shelf, beside ferns and a single book — Akatsuki at golden hour.

The Gift贈 り 物

Wrapped in undyed linen with a hand-numbered card. Quiet, weighty, never loud.

The Studio仕 事 場

Lit at the start of a long evening — a slow flame to outlast the inbox.

Ⅴ — Join the World

Carry TOKIAYAhome.

The store opens shortly. Leave your name to be the first to enter — collectors on the list receive early access and a hand-numbered piece.

Studio

Fukuoka, Japan
by appointment only

Press & Wholesale

press@tokiaya.studio

Editions

Limited to 80
pieces per release